Seems drawing badass celestial bodies is a thing I do when I’m drinking. I see two problems here: one, my knowledge of astronomy is fairly limited and thus already running almost dry; two, I can’t guarantee Drunk Colm won’t eventually think rubbish puns about white dwarves are the way forward. So over to you: suggest something else I can doodle. Something that gets a bad press and needs an image overhaul. Something that will benefit from a good ol’ bitta tipsy PR. And please note that you will be paying for the necessary Art Juice. I’ll be right over here.
(Context for the upper half: a bar in Berlin, an ill-thought-out game of Guess Who. Bonus points: German tries to correct my spelling, realises I was right in the first place. WhuPOW.)
1. During season 3, Viewing Public complains that show is going nowhere, stops watching in droves.
2. To appease Viewing Public, Producers commit to set timetable for resolution of show, up pace.
3. In order to facilitate (2) above, Producers start resolving the most thematically important subplots, more or less abandon the rest.
4. Show ends. Viewing Public complains about subplots not being resolved.
***
Years later, the Dessert-Eating Public becomes enraged at their inability to both have and eat cake. A global spate of bakery-directed arson ensues. Cuse and Lindelof appear to call for sanity. JJ Abrams appears to fling the idea for Super Clovereightfield II at someone and collect a fat paycheck. Colm eats a Mr Freeze, maintains that it is both “delicious” and “refreshing”. Paul Daniels is pronounced World President, resolves to crack down on pastry vandalism. Everyone is confused. It was all a dream. Or was it? No. But you could be forgiven for thinking so.
I am tired of “new writing” and of “powerful new novelists.” I am tired of today’s new people; I am tired of their lives, of their tastes, their reading, their language, their singing, their sedatives and their psychiatrists, their houses, their furniture, and their faces.
(via Bookslut)
That’s magnificent. It’s from Margaret Anderson, who I’d never heard of until this morning because I’m rubbish. She founded and ran an influential avant-garde literary magazine, which at one point was at one point the subject of a good ol’-fashioned book-burnin’ after they published the first few chapters of Ulysses. Another time, Anderson published a completely blank issue of the magazine, on the basis that nobody was writing anything worth a damn. What a champion.
… so but anyway, now you may fearlessly shout at passers-by about how tiresome and annoying their faces are, safe in the knowledge that you come from a fine pedigree. And isn’t that all we ever really wanted.
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